Stravinsky’s Firebird, awash in orchestral colors, crackles with wild rhythms and an iridescent finale. Violinist Anne Akiko Meyers commissioned Arturo Márquez—one of today’s leading Mexican composers—to write Fandango, a mariachi-inspired concerto, for which he drew on his childhood immersion in that style (his father was a mariachi musician). Inspired by a visit to a ballroom in Veracruz, Márquez’s Danzón No. 2 sways with animated dance rhythms. The program opens with a dramatic selection from Khachaturian’s ballet about the gladiator who led a slave uprising in ancient Rome.